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Scorpion (Drake album)
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Scorpion is the fifth studio album by Canadian rapper Drake. It was released on June 29, , by Cash Money Records, Republic Records, and Young Money Entertainment. Scorpion is a double album consisting of 25 tracks. Its first disc is primarily hip hop, while its second disc has been described as R&B and pop. It is executively produced by Drake himself, alongside frequent collaborator 40 and manager Oliver El-Khatib. Scorpion features guest appearances from Jay-Z and Ty Dolla Sign, as well as posthumous appearances from Michael Jackson and Static Major.
Lyrically, the album sees Drake rap about topics that have been common in his discography, including claustrophobia caused by his fame, complications of relationships, and boasting about his rise from an "underdog" to a prominent figure in music. The production draws influence from a range of genres, including soul, ambience, slow jam, quiet storm, R&B, pop, electronica, and trap.
Scorpion was supported by the singles "God's Plan", "Nice for What", "I'm Upset", "Don't Matter to Me", "In My Feelings", "Nonstop", and "Mob Ties". All seven singles reached the top twenty on the US Billboard Hot , with three of them reaching number one: "God's Plan", "Nice for What", and "In My Feelings". In its first day of release, Scorpion broke Spotify's one-day global record for album streams with &#;million streams. It also broke Apple Music's single-day record with million streams, breaking Drake's own record set with More Life.
Despite receiving lukewarm reviews from critics, Scorpion performed well commercially, debuting atop the US Billboard with , album-equivalent units, of which , came from pure sales. As of January , Scorpion was certified five times platinum by the Recording Industry Association of America (RIAA). The album received five nominations at the Grammy Awards, including Album of the Year, and "God's Plan" won Best Rap Song. The album also won Drake a second Top Billboard Album of his career at the Billboard Music Awards, among other awards.
Background[edit]
Drake announced the album on Instagram on April 16, , followed by the announcement of its release date on June [3][4]
Two days before release, Scorpion was confirmed to be a double album, Drake's first, after a promotional billboard alluded to the format. The double album consists of a rap-oriented side and an R&B-oriented side, the two genres that Drake focuses on.[5]
Prior to the album's release, Drake became engaged in a rivalry with American rapper Pusha T. In May , after Drake released a diss track titled "Duppy Freestyle" in response to Pusha T's album Daytona, Pusha T released "The Story of Adidon" which alleged that Drake had a secret child. Scorpion finally addressed the rumor, and later Drake admitted to having a son named Adonis, with French artist Sophie Brussaux.[6][7] In response to Pusha T's diss track, critics highlighted that the album's title, Scorpion, was a response to Drake's critics.[8]
Themes and production[edit]
Lyrically, Scorpion sees Drake rap about topics that have been common in his discography, including claustrophobia caused by his fame, complications of relationships, and boasting about his rise from the "underdog" to a prominent figure in music.[8] The production features twisted soul samples, ambience,[8]slow jam, quiet storm, R&B,[9]pop, electronica,[1] and trap.[10]
Release and promotion[edit]
On January 19, , Drake released the two-track extended playScary Hours.[11] It included the singles "Diplomatic Immunity" and "God's Plan", the latter of which served as the lead single to Scorpion after debuting at number one on the US Billboard Hot [12] Following this, Drake released the album's second single "Nice for What" on April 6, which also charted in the same position.[13][14] On May 26, the third single "I'm Upset" was released.[12][15] On July 6, the song "Don't Matter to Me" was sent to British contemporary hit radio as the album's fourth single.[16] On July 10, the song "In My Feelings" was sent to the US rhythmic and contemporary hit radio as the album's fifth single.[17][18] The song later went on to become the third song off the album to reach number one on the US Billboard Hot [19] "Nonstop" was released to rhythmic radio in the US as the album's sixth single on July [20] "Mob Ties" was released to urban contemporary airplay in the US as the album's seventh single on January 6, [21]
A series of billboards promoting the album surfaced in Toronto, on June 22, while a trailer for the album was released on June [22][23] The album's promotion on the streaming service Spotify attracted some controversy from its subscribers for what they perceived to be excessive promotion, with Drake appearing in most of the service's editorial playlists, including ones which he had nothing to do with, such as those for electronic dance music and even gospel music.[24] Following the release of the album, Drake also embarked on his second co-headlining tour with Migos, Aubrey & the Three Migos Tour, which began on August 12, , in Kansas City.[25]
Critical reception[edit]
Scorpion was met with lukewarm reviews from critics.[36] At Metacritic, which assigns a normalized rating out of to reviews from mainstream publications, the album received an average score of 67, based on 26 reviews, indicating "generally favorable reviews".[27] Aggregator AnyDecentMusic? gave it out of 10, based on their assessment of the critical consensus.[26]
Neil McCormick of The Daily Telegraph deemed the album's first side as a "sharply focused hip-hop album, with Drake delivering eloquent zingers," while he thought the second half "showcases Drake's flip side, sensitive R'n'B loverman."[30]Alexis Petridis of The Guardian wrote that the album "is frequently fantastic, making a stronger claim for Drake's greatness than any amount of swaggering braggadocio", but also noted "there isn't quite enough strong material here to support its gargantuan running time."[1] Mikael Wood of Los Angeles Times commented, "yet for all its tiresome megalomania, [the album] is so beautifully rendered—from vocals to samples to features to beats"; though he also noted Drake "tired and tiring."[37] Nick Flanagan of Now mentioned the A side as "mostly introspective threats, neurotic boasting and paranoia about enemies", while the B side as "the same but with a focus on women and his love life", labelling the album "well within his pocket."[38] For The Independent, Roisin O'Connor described the album as "oddly erratic The way he darts between different sounds is exhausting and, ultimately, messy. On certain tracks he raps like he has something to prove, on others it's like he has nothing."[39]
In a mixed review, Andy Hutchins of Time said, "[the] ponderous choice to cleave the overstuffed Scorpion into Sides A and B results in two uneven suites of songs." while "a long-frustrating inability to self-edit mars [the album]."[40]NME's Luke Morgan Britton noted a "lack of quality control", and felt the album "simply doesn't need to be" track long.[8] Jamieson Cox of Pitchfork described Scorpion as a "fascinating, flawed album". He praised the consistency of the album's individual songs for a "bloated streaming-era release", especially those included on side B, as well as the album's "sumptuous sound", however criticized Drake's lack of musical and lyrical development, concluding by noting a sense of redundancy in Drake's subject matter: "It's not like Drake needs to serve as a beacon of moral clarity, but this year's paternity saga—and with Scorpion, its ostensible conclusion—has revealed his shortcomings as a writer and pop personality. Whether it's or , you're getting the same guy: anxious, calculating, and self-obsessed, with a golden ear and a fondness for terrible punchlines. Fatherhood hasn't made him grow up—and if you've gotten older and wiser, Scorpion just feels like the latest in a series of diminishing returns."[33]
In a negative review, The Hollywood Reporter's Jonny Coleman said "Drake's exhausting, uneven double rap/RnB record finds the artist trying to be all things to all people." Coleman said "the best part of this double album—like much of Drake's discography—is the production. Of course, it's the result of a whopping 32 producers being commissioned for the 25 songs in the package [] As a result, there are some interesting sonic moments, even if there isn't much cohesion outside of an affinity for low frequencies and baroque existential loops."[41] For The Washington Post, Chris Richards considered the album "soggy", expressed discomfort about Drake using the same formula in "melody-bruised grievances", and concluded "hearing him do impersonations of more inventive artists is a specific kind of sadness that we usually see only on late night television."[42] In his review for AllMusic, Tim Sendra concluded that the album "doesn't even come close to being one of his best; instead, it's a one-trick record stretched out into 25 endless tracks by an artist who's so deep into the self-obsessed, self-pitying rut he created for himself that he can't see daylight anymore It's a bleak and tiring place to spend time, and one can only hope that Drake himself gets weary of it soon, too."[28] For The Irish Times, Dean Van Nguyen described the album as "a painfully dull barrage of lifeless tunes."[43]
Accolades[edit]
Commercial performance[edit]
Scorpion was certified platinum by the Recording Industry Association of America (RIAA) a day before release due to a technicality that incorporates the track-equivalent units moved by previously released singles "God's Plan", "Nice for What" and "I'm Upset".[54]
In its first day of release, Scorpion broke Spotify's one-day global record for album streams with &#;million streams, more than 50 million plays greater than the previous record, set by Post Malone's Beerbongs & Bentleys two months earlier. It also broke Apple Music's single-day record with million streams, breaking Drake's own record set with More Life.[55]
In Drake's home country of Canada, Scorpion sold 70, album-equivalent units in its opening week.[56] It serves as Drake's eighth number-one album in the country.[56] The album earned 34, album-equivalent units in the second week, marking the third highest sales week in [57] In , Scorpion was ranked as the most popular album of the year on the Canadian Albums Chart.[58] In the album earned , on-demand audio consumption units in the country.[59]
In the United States, Scorpion opened atop the Billboard with , album-equivalent units, which included , pure album sales, making it the biggest first week of the year at the time. It became his eighth entry in a row to top the chart and broke the country's streaming record with &#;million streams in its first week.[60] Although debuting at number one, the album serves as Drake's lowest first-week pure sales of his career, selling , less pure copies than Views, and 66, less than More Life.[60] All 25 tracks on the album entered the Billboard Hot and Drake also became the first musician to simultaneously debut four new songs inside the top 10 of the US Hot , with "Nonstop" (at 2), "In My Feelings" (6), "Emotionless" (8), and "Don't Matter to Me" featuring Michael Jackson (9), and seven tracks simultaneously in the top 10 of the chart, becoming only the fourth album to have seven top 10 singles, and the first to achieve this since [61][62]
The album earned , album-equivalent units in the second week, logging the biggest second week performance for any album since Adele's 25 in December [63] In the third and fourth sales weeks Scorpion earned , and , album-equivalent units respectively, marking the first album to spend the first four weeks at the top of the Billboard in two years, since Drake's previous studio album Views in [64][65] In the fifth week the album earned , album-equivalent units, which included only 12, pure album sales, making the lowest selling number-one album in 27 years.[66] The album spent five consecutive weeks on the top of the Billboard so far.[66] In , Scorpion was ranked as the second most popular album of the year on the Billboard [67] As of January , Scorpion has sold over 3,, album-equivalent units in the US, with over , being pure sales.[68] As of December , the album has sold over 5,, album-equivalent units in the US, with over , being pure sales.[69]
In the United Kingdom, the album debuted at number one on the UK Albums Chart, with 64, album-equivalent units, becoming Drake's second number-one album on the chart.[70] It remained atop the chart for a second week.[71] In , Scorpion was ranked as the fifth most popular album of the year on the UK Albums Chart.[72] As of January , Scorpion has sold over , combined sales in the United Kingdom.[73]
Track listing[edit]
Credits adapted from the album's liner notes and Tidal.[74][75]
Notes
- ^[a] signifies a co-producer
- ^[b] signifies an additional producer
- ^[c] signifies an uncredited additional producer[76][77]
- "Elevate" features uncredited vocals by French Montana[78]
- "Mob Ties" features background vocals by Asheley Turner
- "Talk Up" features background vocals by Baka Not Nice
- "Is There More" features additional vocals by Nai Palm
- "Peak" features background vocals by Stefflon Don, Rhea Kpaka and Vinessa Douglas
- "Jaded" features background vocals by Ty Dolla Sign
- "Finesse" features background vocals by James Fauntleroy
- "Nice for What" features additional vocals by Big Freedia, 5th Ward Weebie and Glenshie "Bobby Jean" Rowe
- "Ratchet Happy Birthday" features background vocals by PartyNextDoor
- "That's How You Feel" features additional vocals by Nicki Minaj and background vocals by DJ Boof
- "Blue Tint" features additional vocals by Future
- "In My Feelings" features additional vocals by the City Girls
- "Don't Matter to Me" features additional vocals by Paul Anka
- "After Dark" features additional vocals by Al Wood
- "Final Fantasy" features background vocals by Daniel Daley
- "March 14" features additional vocals by James Fauntleroy
Sample credits
- "Survival" contains samples from "Telex", written by Klaus Netzle and Manuel Landy, as performed by Claude Larson.
- "Nonstop" contains samples from "My Head Is Spinning", as performed by DJ Squeeky and Mack Daddy Ju.
- "Emotionless" contains samples and excerpts from "Emotions (12" Club Mix)", written by Mariah Carey, Robert Clivillés and David Cole, as performed by Mariah Carey.
- "8 Out of 10" contains excerpts from "You're Gettin' a Little Too Smart", written by Abrim Tilmon, as performed by the Detroit Emeralds; an audio snippet of Plies; and portions and excerpts from "All the Way Round", written by Arthur Ross and Leon Ware, as performed by Marvin Gaye.
- "Mob Ties" contains interpolations from "Affirmative Action", written by Dave Atkinson, Samuel Barnes, Anthony Cruz, Nasir Jones, Inga Marchand, Cory McKay and Jean-Claude Olivier, as performed by Nas.
- "Talk Up" contains excerpts from "Dopeman", written by Leroy Bonner, O'Shea Jackson, Marshall Jones, Ralph Middlebrooks, Walter Morisson, Andrew Noland, Gregory Webster and Andre Young, as performed by N.W.A.
- "Is There More" contains interpolations from "More Than a Woman", written by Stephen Garrett and Timothy Mosley, as performed by Aaliyah.
- "Nice for What" contains samples from "Ex-Factor", written by Russell Jones, Dennis Coles, Corey Woods, Lamont Hawkins, Gary Grice, Clifford Smith, Robert Diggs, Jason Hunter, Lauryn Hill, Alan Bergman, Marilyn Bergman and Marvin Hamlisch, as performed by Lauryn Hill; "Drag Rap (Triggerman)", written by Orville Hall and Phillip Price, as performed by the Show Boys; and "Get Ya Roll On", written by Byron Thomas and Bryan Williams, as performed by Big Tymers.
- "Ratchet Happy Birthday" contains portions and excerpts from "Just Memories", written by Leonard Caston and Anita Poree, as performed by Eddie Kendricks.
- "That's How You Feel" contains samples and excerpts from "Boss", written and performed by Nicki Minaj.
- "In My Feelings" contains portions from "Lollipop", written by Dwayne Carter, Jr., Stephen Garrett, Darius Harrison, James Scheffer and Rex Zamor, as performed by Lil Wayne; samples from "Smoking Gun (Acapella Version)", written and performed by Magnolia Shorty; "Drag Rap (Triggerman)", written by Orville Hall and Phillip Price, as performed by the Show Boys; and an uncredited portion from the episode "Champagne Papi" of television series Atlanta.[79]
- "After Dark" contains samples and excerpts from "The Suite Theme", written by Musze and Melvin Ragin, as performed by Maxwell.
- "Final Fantasy" contains portions from "The Windmills of Your Mind", written by Michel Legrand, Alan Bergman and Marilyn Bergman, as performed by Dorothy Ashby.
- "March 14" contains samples and excerpts from "Lady", written by Michael Archer and Raphael Saadiq; and "Khalil", written by Nathan Morris and Shawn Stockman, as performed by Boyz II Men.
Personnel[edit]
Credits adapted from the album's liner notes and Tidal.[74][75]
Musicians
Technical
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